Residents of a newly completed apartment block in Dujiangyan, Sichuan province noticed recently that the ceilings in their bedroom, living room and corridors were crumbling at the slightest touch.

After some prodding, the whole edifice came down on their heads, revealing their upstairs neighbours’ home.


According to the building’s owners, there was a problem with the “sediment concentration” of the floor, which was later reconstructed.

The families dwelling both above and below the crumbling ceiling, meanwhile, were given RMB25,000 (HK$30,483) in compensation


Discussion online decried the building’s construction as yet another example of China’s “tofu-dreg projects,” referring to pieces of shoddy workmanship that might crumble at any moment.


When the 8.0-magnitude Wenchuan earthquake struck in 2008, more than 69,000 people were killed in the north of the province, many of them buried under the rumble of buildings that failed to withstand the 8.0-magnitude quake.

Chinese artist Ai Weiwei earned the ire of mainland authorities by recruiting a volunteer crew to compile names of students who perished in the earthquake due to substandard school campus construction. Information from Ai’s “Citizens’ Investigation” was published online on the artist’s blog.

After being beaten by Chengdu police for trying to testify for a fellow investigator, Ai was placed under house arrest, had his Shanghai studio demolished and was barred from leaving the country until recently.

“Even if there’s a small earthquake again,” the top comment on Sina News observed, “people will definitely die. Before, the Japanese killed Chinese; now we just do it to ourselves.”

Ryan Ho Kilpatrick is an award-winning journalist and scholar from Hong Kong who has reported on the city’s politics, protests, and policing for The Washington Post, Los Angeles Times, TIME, The Guardian, The Independent, and others